Margo Selski’s ‘Family Secrets in Plain View’ Make The Personal Surreal [HuffPost]

Margo Selski’s ‘Family Secrets in Plain View’ Make The Personal Surreal [HuffPost]

Margo Selski’s paintings — with ball gowns made of eyes, braids of hair with agency of their own and the pointiest feet you’ve ever seen — look like the stuff of fairy tales. This is not totally false. Selksi was inspired by “The Tempest” and “Prospero’s Book of Mirrors.” Yet these fanciful and mysterious other worlds are not the product of pure imagination; Selski paints true stories of family secrets from her Kentucky youth. We seriously wonder what her family reunions are like.

To protect the privacy of her family members, Selski translates real secrets into a surreal visual language, drawing off Flemish 19th century portraiture. Yet her paintings look as if Jan Van Eyck took a little trip down the rabbit hole. Roosters and baby lambs crawl out from underneath petticoats and even the smallest of children are followed by ominous shadows. The distance from Kentucky to Flemish fantasyland is far indeed. We wonder how closely rendered the family secrets are…

Her works incorporate novel techniques to achieve an old (or even outside of time) effect. In an e-mail to The Huffington Post, Selski wrote that she concocted a recipe for fake craquelure, smearing her paintings with beeswax and then freezing them in a Chinese restaurant’s freezer. She then paints inside the frozen cracks in the beeswax to mimic Renaissance paintings that have cracked with age. Another trick up Selski’s sleeve involves embedding a ghostly under-image into her painting. She created her own paint that decays over time, thus revealing new things about the painting over the course of 10 years. Even the paintings’ secrets eventually come to light.

Check out Selski’s surreal paintings and see if you can solve her family mysteries.

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Original Preliminary Drawing – Queen’s Court

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Original Preliminary Drawing – Pheasant Keeper

16.25" x 20.25" / 41.3 x 51.4cm
Original work on paper

Original Preliminary Drawing – The Watch

20.25" x 16.25" / 51.4 x 41.3cm
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Original Preliminary Drawing – Merry Wanderers

16.25" x 20.25" / 41.3 x 51.4cm
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Original Preliminary Drawing – An Invitation

20.25" x 16.25" / 51.4 x 41.3cm
Original work on paper

Original Preliminary Drawing – Light Keepers

16.25" x 20.25" / 41.3 x 51.4cm
Original work on paper

Original Preliminary Drawing – Her Fancy

16.25" x 20.25" / 41.3 x 51.4cm
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Original Preliminary Drawing – The Travelers

16.25" x 20.25" / 41.3 x 51.4cm
Original work on paper

Original Preliminary Drawing – Whirlwind

20.25" x 16.25" / 51.4 x 41.3cm
Original work on paper

Original Preliminary Drawing – Knoll’s Edge

20.25" x 16.25" / 51.4 x 41.3cm
Original work on paper

Original Preliminary Drawing – Her Thoughts They Hum

20.25" x 16.25" / 51.4 x 41.3cm
Original work on paper

Original Preliminary Drawing – Far Away

20.25" x 16.25" / 51.4 x 41.3cm
Original work on paper

Original Preliminary Drawing – Crow’s Song

20.25" x 16.25" / 51.4 x 41.3cm
Original work on paper

Original Preliminary Drawing – Sojourn

20.25" x 16.25" / 51.4 x 41.3cm
Original work on paper

Original Preliminary Drawing – Tempest

20.25" x 16.25" / 51.4 x 41.3cm
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Original Preliminary Drawing – The Visitors

16.25" x 20.25" / 41.3 x 51.4cm
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Original Preliminary Drawing – The Feast

16.25" x 20.25" / 41.3 x 51.4cm
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Interacting

24" x 20" / 61 x 50.8cm
Oil and acrylic on canvas

The Corsairs Return

30" x 24" / 76.2 x 61cm
Oil on canvas mounted on wood panel

Smolder

30" x 30" / 76.2 x 76.2cm
Acrylic

The Water’s Edge

24" x 20" / 61 x 50.8cm
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The Shadow That Comes Inside

24" x 18" / 61 x 45.7cm
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The House on Eden Road

24" x 30" / 61 x 76.2cm
Acrylic

The Fear of Man

12" x 16" / 30.5 x 40.6cm
Acrylic and ink

Stargazer

12" x 12" / 30.5 x 30.5cm
Acrylic and ink

Feast of the Unicorn

24" x 18" / 61 x 45.7cm
Acrylic and ink

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