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In conversation with Adrienne Stein

In conversation with Adrienne Stein

John Lennon and Yoko Ono sang: “We are all water from different rivers that’s why it’s so easy to meet.” Since I started interviewing artists and sharing my work on FB and Instagram, I’ve met some of the most wonderful people from all over the world. Art is one of those things that has an international language – an incredible unifying quality. It doesn’t matter where you live, what sex you are, what language you speak, what god you honour, all artists share a compulsion to create. And in that process of creating, there are so many of the same questions we wrestle with, experiences we have, and struggles that we face. Given art is often a very solitary occupation it has been my desire to seek out artists and have a place where we can effectively meet and talk about our process and for me, personally, to learn from others. Increasingly FB requests are sent to me, people comment on my posts, I like their paintings, we exchange a few words, and thus I am finding artists and they are finding me. These kinds of explorative tentacles you send out into the world have this wonderful way of making contact with and intertwining with others on their own respective journeys. And it is in this way that I came to know the artist Adrienne Stein, although I knew her work before this through the RJD Gallery in Sag Harbor, New York.

The recent paintings of Adrienne’s that I’ve seen in the flesh are whimsical, magical, and haunting – a series of almost other-worldly women and still life ensembles. And while there’s a fantasy quality to her work, the characters are brought to life with beautifully observed attention to detail and classical skill. There’s a seductive Pre-Raphaelite beauty to these women and in some of the paintings, hints of decay in the landscapes that are somewhat unsettling. Like Sirens, they appear to draw you into this beautiful, magical, and potentially dangerous world in which they inhabit.

What struck me as most unusual about Adrienne’s work is how she creates these incredibly whimsical narratives from life painting. Perhaps I came to painting late in life, but these days it seems that so many artworks rely on photographic reference due to very practical limitations like finding models, props, animals and creatures to paint, and especially for esoteric subject matter. But here I saw photos on Adrienne’s Instragram account of great armfuls of flowers in her studio, models draped in diaphanous jewel-coloured fabrics, and bowls of fruit spilling out on her windowsill. Just like the old masters, she was constructing these sets from which to make her paintings.

I was incredibly curious to find out more about this way of working, and then of course to enquire about her inspiration given my own subject matter tends to be fairly straightforward portraiture. Where does she get her ideas from? How has she arrived at this way of working? Adrienne very generously agreed to answer these and a whole host of questions that form the conversation that follows.

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Central Park

60" x 40" / 152.4 x 101.6cm
Acrylic on Canvas

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60" x 60" / 152.4 x 152.4cm
Oil on Panel

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24" x 30" / 61 x 76.2cm
Lithograph

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67" x 67" / 170.2 x 170.2cm
Oil on Canvas

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Watercolor on Paper

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Acrylic on Canva

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72" x 47" / 182.9 x 119.4cm
Oil on canvas, stitched leather, wood and memorabilia

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34" x 42" / 86.4 x 106.7cm
Oil on canvas, stitched leather, wood

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40" x 60" / 101.6 x 152.4cm
Oil on Canvas

The End of Apathy

46" x 40" / 116.8 x 101.6cm
Oil on Linen

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36" x 28" / 91.4 x 71.1cm
Acrylic on Canvas

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36" x 48" / 91.4 x 121.9cm
Acrylic on Canvas

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36" x 48" / 91.4 x 121.9cm
Acrylic on Canvas

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40" x 27" / 101.6 x 68.6cm
Colored Pencil on Paper

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70" x 80" / 177.8 x 203.2cm
Oil on Linen

Study: Locomotive of Kenyon

24" x 24" / 61 x 61cm
Ink on Paper

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48.5" x 65" / 123.2 x 165.1cm
Oil on Canvas

7 a.m.

40" x 40" / 101.6 x 101.6cm
Acrylic on Canvas

Martinicus

30" x 24" / 76.2 x 61cm
Charcoal, Colored Pencil, Gouache, Watercolor on Rag Board

The Coop (Fourth in a Suite of Untoward Occurrences on Monhegan Island)

45" x 30" / 114.3 x 76.2cm
Oil on Canvas

Arnold Schwarzenegger 1977

45.5" x 36" / 115.6 x 91.4cm
Charcoal on Cardboard

Locomotive of Kenyon

96" x 96" / 243.8 x 243.8cm
Oil on Canvas

Tank

84" x 127" / 213.4 x 322.6cm
Oil, Mixed Media

Dog Day

40" x 30" / 101.6 x 76.2cm
Oil on linen on birch

La Promesse

36" x 36" / 91.4 x 91.4cm
Oil on panel

Goliath

40" x 40" / 101.6 x 101.6cm
Acrylic on Canvas

Kravn to stay free and live

71" x 61" / 180.3 x 154.9cm
Acrylic on Canvas

Listen Here Cuzzo

14" x 14" / 35.6 x 35.6cm
Acrylic on Canvas

Trish

14" x 14" / 35.6 x 35.6cm
Acrylic on Canvas

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