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Phillip Thomas

Phillip Thomas (b.1980) is a graduate of the Edna Manley College of Visual and Performing Arts. At this institution he received the Albert Huie Award for Painting at the end of his four-year study. He subsequently received an MFA from the New York Academy of Art, where he studied under Eric Fischl. He received two educational scholarships in support of his MFA: a CHASE fund grant and a grant from the Cobb Family Foundation. Phillip Thomas has been involved in several group shows such as the Super Plus Under 40 Artist of the Year exhibition and competition, where he received the Public’s award, and the 2008 Jamaica National Biennial, at the NGJ, where he was awarded the Aaron Matalon award. His work was also included in the National Biennial at the National Gallery of Jamaica, sold at Sotheby’s, and has been acquired by the World Bank.

Phillip Thomas is considered a realist and he paints with an ease that demonstrates his sure draftsmanship and understanding of the human form. Yet there is more to his artistry than just representation. He harnesses the classical approach of the European masters to cloth and critique his contemporary black subjects. The result is portraits that are appealing because of their conventions and familiarity but also repulsive because of their perverse contradictory content.

Phillip intends to manufacture cultural reliquaries, artifacts and social curiosities that represent the cultural tapestry of the Caribbean and the wider “new world”, using mediums and other agents of the old world. Paintings and other artifacts in this case are not for the sake of the medium of presentation, but more so as an artifact of works of art and art practices of the past hence the entire object produced (stretcher bars, frames, oil paints, Phillip Thomas and all the other elements and mediums of these objects) is a complete manifestation of an archeological response to agents of the old world as well as products of the new.

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Artist
Style
Medium
Price
Size

She Doth Not Wait for June (The Keeper II)

36" x 24" / 91.4 x 61cm
Oil and 24K Gold Leaf on Panel

Sever Me

36" x 24" / 91.4 x 61cm
Oil and 24K Gold Leaf on Panel

I Found Him at The Mall

14" x 11" / 35.6 x 27.9cm
Oil on Wood Panel

Night Owl

20" x 16" / 50.8 x 40.6cm
Oil on Wood Panel

The Queen of the Desert

10" x 8" / 25.4 x 20.3cm
Oil on Linen Panel

Whisper in the Wind

49" x 59" / 124.5 x 149.9cm
Oil on Canvas

The Little Singer

72" x 54" / 182.9 x 137.2cm
Oil on Canvas

The Herd Guardian

42" x 36" / 106.7 x 91.4cm
Oil on Canvas

The Call

40" x 52" / 101.6 x 132.1cm
Oil on Canvas

The Wind and the Paper Birds

42" x 36" / 106.7 x 91.4cm
Oil on Canvas

The Tectonic Shift

60" x 98" / 152.4 x 248.9cm
Diptych, Oil on Linen

Face Reality

22.75" x 39.75" / 57.8 x 101cm
Colored Pencil on Bristol Board

Skating But Waiting

30" x 24" / 76.2 x 61cm
Oil on Aluminum

Heirloom

30" x 24" / 76.2 x 61cm
Oil on Aluminum

Foe

20" x 24" / 50.8 x 61cm
Acrylic on Panel

Poem Of The Butterflies

55" x 62" / 139.7 x 157.5cm
Oil on Canvas

Future in Hand

23.5" x 16.5" / 59.7 x 41.9cm
Acrylic on Wood Panel

Anchor

23.5" x 33" / 59.7 x 83.8cm
Acrylic on Wood Panel

Shadow Play

24" x 36" / 61 x 91.4cm
Linen on Panel

Red, White and Blue

48" x 60" / 121.9 x 152.4cm
Acrylic on Canvas

Dance of the Deadly Nightshade

47.5" x 70.5" / 120.7 x 179.1cm
Oil on Linen

2020

72" x 60" / 182.9 x 152.4cm
Oil on Linen

Russian Fragility IV

44" x 76" / 111.8 x 193cm
Oil, Ink, Mixed Media on Panel

Muhammad Ali 5th Street Gym

65" x 47" / 165.1 x 119.4cm
Oil and Mixed Media on Canvas

Summer in New York

33.5" x 45.25" / 85.1 x 114.9cm
Oil on Linen Canvas

Penthouse in Upper East Side

23.5" x 47.25" / 59.7 x 120cm
Oil on Linen Canvas

Corner Building on Prince Street

23.5" x 49" / 59.7 x 124.5cm
Oil on Linen Canvas

Building in the Sun

23.5" x 43.25" / 59.7 x 109.9cm
Oil on Linen Canvas

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